Saturday, January 28, 2012

Digital Dog Art

"Kona"
© rebecca collins / artpaw.com

Part of being a commercial artist means that sometimes you have to work with photographs that are, to say the least a little bit challenging. I crab about low resolution images and images that lack detail, and yet I always say that you learn 20 times more about Photoshop by working with lower quality images. Lower quality images mean that you really do have to literally paint in the missing details using the wacom tablet.

Kona is a stunning lab that loves the outdoors and yet the only photo my client could snag on the sly at Christmas time was a very low resolution (123K) web quality image. The photo told a great story about a day at the beach and yet Kona's eyes were absent along with any coat detail at all.
See Original pics below:

Full Original Image
enlarged detail of just the face
If I relied on filters alone to enhance this image I would end up with a different all over texture on the photograph however there would still be no eyeballs and no detail at all.... see below:


I played around with this project for a very long time, painting in eyes, brush strokes on the coat, and trying different backgrounds.
Detail of my favorite proof
© rebecca collins / artpaw.com
Another part of being a commercial portrait artist means letting go of your own personal preferences. My clients do not always choose the proof that is my 100% favorite. I am totally ok with that because I realize that they are responding to the proofs based on a wide variety of factors; their existing decor, memories of that beloved pet, and personal color preferences. If you scroll to the top of this post you will see my favorite proof and below is the chosen proof. I like the chosen proof a lot too, and it totally speaks to the "day at the beach story", which is a very important memory to honor. In the end that is what my work is really all about.

"Kona at the Beach"
© rebecca collins / artpaw.com

Friday, January 27, 2012

Flashback Friday / Old Pics

Not much to post about today. Feeling kind of sick, getting over a head cold. Monday I need to sit down with all the pending projects and place some folks on the calendar.  There are also a few projects needing design tweaks and I will get to those very soon. You guys have a great weekend.

This is me from my high school days.
I miss that car.... a 1972 Cougar Convertible
The book I have my hands on looks way too cool, the hair cut not so much.
I love old children's books from the 60's
Art from childhood. My Grandmother saved a huge stack if drawings that I did when I visited her as a child and she gave them to me when I was in my 30's. I am really glad she hung on to them.

Tuesday, January 24, 2012

Digtal Artist Versus Digital Service provider

What is Digital Art? 
What is the difference between a digital service provider and a digital artist? 
What is art? 

Everyone has an opinion on what art is and what art is not, including me. I am a digital artist and yet I do not consider myself a "digital service provider".  I know a digital service provider's website when I see it, and I know an artist run website when I see it. My clients do not always recognize the difference and yet time and time again I hear people tell me they have shopped around all over the web and they keep coming back to my site and want to hire me because they like what they see.

I am going to do my best to respectfully describe what a digital service provider is today and how that differs from a digital artist.


Digital Service Providers:
Websites that offer canvas on demand and "photo to print" services generally speaking are run by businessmen and women that may or may not have ever taken an art class. Sometime they hire a team of graphic designers to produce the portraits they sell. Sometimes they just hire young people that know how to use the computer and then they train them in Photoshop. The work they produce is usually what I call "filter driven". This is not a bad thing and when they have great photos to start with they often produce really lovely effects. I think for the money they charge, most of the larger sites like this probably do a pretty good job and deliver what they promise. They invest a lot of money in equipment and advertising however I do not believe that they invest a lot of money or research into the actual hiring of an educated design staff. This is only an opinion, however the reason I feel this way is that when you go to the "about" section on any of these types of websites you will not see the faces of the artists or designers that produce the work. When these sites have company blogs and you click through to them you will either find that nobody is updating the blog or worse the content is nothing more than one sales pitch after another. You never get a sense of who is going to work each day and who is going to be handling your project.  Many times you will see a long list of celebrity client names on some of these sites, but nobody is bragging about the hired artists that are producing the work.

Digital Artists:
I have a fine arts degree and many digital artists do, however not all. I am actually self taught in Photoshop because I graduated college before computers were a part of every art department. So if a piece of paper does not make you a digital artist then what does? I think everyone has to answer that one for themselves, but for me the answer is simple ... pushing the boundaries and experimentation. Sometimes my work can start to feel repetitive and so I always have to remind myself to try new things in Photoshop, to look at projects from new angles and to experiment outside of work with a variety of all types of media from drawing to glass mosaics. I find my personal artwork totally fuels my excitement for my portraiture work, and vice versa.  I could say that my use of the wacom drawing tablet is what makes me a digital artist, but it is not, it is just a tool and your tools do not make you an artist. I am proud to be a digital artist and I feel blessed to have so many terrific clients that support me in my work.

The point of this post is not to totally bash digital service providers, I think most of them work really hard and are very good at what they do. They provide a fast and affordable service. If you have a stunning photograph of your pet and you just need someone to get it onto canvas for you there are tons of great options on-line and you do not need an artist to do that for you. I guess the point of this post is to start a dialogue with myself about what it is that I do, and what it is that separates my art offerings from everything else that is out there. After over reacting to a negative comment by another artist this weekend I have started thinking about my business, and why I love it and how my art is different from other digital work that is out there. Eventually I want to update my website with much better written content that will educate perspective clients about what I do. The blog is a great place to start that dialogue for myself, and not everything that rambles onto this page has to make it on to the main site ... thank goodness for that.

Monday, January 23, 2012

Mosaic Monday/ Year Of The Dragon

Today begins the year of the dragon. This lovely dragon detail is by Gila Rayberg. Be sure and check out her main site over at gilamosaics.com.  
...click through and You will get to see the entire dragon piece above and more of her terrific mosaic work.  My favorite series she has done are her fantasy faces.  Gila has a way with both color and Smalti. She has a playful imagination and she lets it run wild.

Sunday, January 22, 2012

A Mixed Media Sunday

© rebecca collins

Today I get to go to my mixed media painting class at The Creative Arts Center here in Dallas. I have been doodling around this last week on the computer trying to come up with a basic sketch of what I want to paint. We are going to be working with acrylics and our teacher is going to teach us how to work with paper cut out templates that we create and also masking tape and other tools. She says she is going to have us build our painting up in layers. Since I love layers in photoshop I know that I am going to enjoy trying it with acrylic and collage.

For our 1st project our teacher Katherine read us a little fable story about an Ogre that is talking to his daughter and explaining where his soul is kept. He told her that 16 miles away is a forest and in the forest is a tall tree surrounded by a tiger, a scorpion and a bear. On top of the tree is a large snake and on the snake's head is a cage and in the cage is a bird and his soul lives inside the bird. 

She does not want us to necessarily do a painting of the imagery in the story, but instead she wants us to interpret it in a way that has meaning to us.  I found the story very dark and actually related it to a personal illness in my family. What was missing in the story for me was a key to the cage. When health issues arise in life we look to both science and the sacred for answers. The circuit board pattern will represent science in my work and the feather, and the moon will represent the sacred or spirituality for me. The bird-man is actually my loved one however I may decide to just use the other elements and revisit that drawing element in another work down the road.


Below I will show you the evolution of my sketch and I'll keep posting the work in progress on Sundays as it evolves once I have it on my cradle board.

•  I started with a wacom sketch of a birdman. I was very inspired by the work of Leonard Baskin and his raptors, although my crude drawing looks very little like his amazing bird-men.
• I dropped in a circuit board pattern that I created a long time ago from a black and white line drawing. I played with the color on the board until I liked it. I used the paint brush tool to paint in a loose white outline shadow of the bird figure.
• Next I played with the drawing layer of the birdman, turned it back on and I think I chose the layer effect called "exclusion" to get the cool dark blue coloring. Then I painted some more with white, going over my original black sketch lines.
• Next I made a duplicate layer of the original bird man drawing and made it an overlay to the  far left and turned the opacity way down on it. I added in a moon and feather to the right.
• I am not happy with the overall composition above and I think I may reduce it to just the feather & moon, but I want to get the teacher's input. All I know for sure is that the circuit board will be my base layer. I have a long way to go on this one.

Friday, January 20, 2012

Flashback Friday

I have always loved drawing. Posted below are some old drawings I did when I was a kid I think I was probably 9 when I did these since Jim Croce was alive and well at the time. I am going to start doing Flashback Friday posts and dig into my past a bit with old photos and old stories. Not all will be art related, but many will be since I have been doodling and making "pictures" since I was a very small child. Eventually I want to create a time-line of the business too, and revisit my early days at Art Paw. Feeling very nostalgic today for some reason.

Jim Croce, probably copied from an album cover 1972-ish
I guess I was bored with the class assignment,
I have no idea who was sitting in front of me
 

Thursday, January 19, 2012

More Dog Portraits

Today I updated Baron and proofed Eli & Berkely. I got up early and got tons of stuff done by noon. Had lunch with a good pal and now I get to go on a long dog walk with Whitman. It is 7o degrees outside, just not sure if Texas is going to see any real winter this year. It is making me ready for spring. Anyway ... today's projects shown below.

"Berkeley" The Golden Retriever
( see all proofs)
© rebecca collins / artpaw.com
8x8 size (offered only on Etsy)
"Eli" The Mini Schnauzer
( see all proofs)
© rebecca collins / artpaw.com
"Baron"
( see all updated proofs)
© rebecca collins / artpaw.com

Wednesday, January 18, 2012

Average Day at Art Paw

Yes the holidays have officially passed and I am settling into more average days here at Art Paw.  The crazy urgency of trying to create 30 to 40 portraits a month has ended and we are back to a very normal and very healthy work flow. I just have a couple of revisions to do and 2 new pet portraits to start on this week. So what is an average day in the life of a Pet Portrait Artist?

I start my day around 8:00 when Pickle lets me know it is time to get up. After my morning Diet Coke, I leash up all 3 dogs and we go on a dog walk. On my dog walks I often pick up found objects to use later in my glass mosaic work. Now I am on a new quest and I am also picking up stuff that I can use to create texture in ceramics.
mirror & rubber washers  for mosaics, plastic shim for ceramic texture making
After the walk I take an hour to get stuff printed for Lola to stretch & ship. 
Mona Lisa & Westie prints for Amazon orders
and Yorkie Portrait that will ship today
Lola arrives at noon and we try to make Whitman sit like a gentleman before she comes in.... it half works, half of the time. He needs training.

Lola will spend 2 hours on production & shipping and then 2 hours organizing all of my digital files from Nov. & Dec. First she has to do a quick supply run because we just ran out of 14 inch bars

I will be answering e-mails today and organizing the rest of the month's work load. It is very much a boring office day for me today. There is always so much to get caught up when it comes to managing the office part if my work life. Even with boring paperwork facing me I do have the best job on the entire planet! Life is very good.

Tuesday, January 17, 2012

Pugs Pugs Pugs

"Goober" ( see all proofs)
© rebecca collins / artpaw.com
Today I proofed Goober the Pug and yesterday we shipped 2 portraits with 3 puggies. It seems to be raining pugs around here. I am cool with that. I love working on Chinese Pugs ... the face wrinkles are extra fun to play with.
Recent Puggies  shown below:

"Ellie & Lucy" (see all proofs)
© rebecca collins / artpaw.com
"Prada" (see all proofs)
© rebecca collins / artpaw.com